Art, Dance... my Passion
"Le Nozze di Figaro" by W. Amadeus Motzart at the Palm Beach Opera
"The fandango in the third act was elegantly choregraphed by Fernando Moraga"
Greg Stepanich, Palm Beach ArtsPaper. Feb 28, 2009.
"Le Nozze di Figaro" by W. Amadeus Motzart at the Palm Beach Opera
"...while Chilean choreographer Fernando Moraga made the dances look classy..."
Rex Hearn, Palm Beach ArtsPaper. March 2,2009.
"Cleopatra" choreography by Ben Stevenson.
"What began to anchor the performance was the entrance of Caesar, Fernando Moraga, with his strong, elegant stage presence and clean, technical dancing. The stage receded, and dance began to pull the focus."
Tara Mitton Catao, Palm Beach Daily News. March 09, 2008.
"Cleopatra" choreography by Ben Stevenson.
"Moraga’s high powered Antony was as fiery as he was passionate"
Lawrence Budmen, Sun-Sentinel. March,2008.
"La Traviata" by Giuseppe Verdi at the Palm Beach Opera
"Dancer Fernando Moraga was a hit as the swaggering, cape-wielding matador"
R. Spencer Butler, Palm Beach Daily News. March 30, 2008
"La Traviata" by Giuseppe Verdi at the Palm Beach Opera
"the best non-singer was dancer-toreador Fernando Moraga"
Sharon McDaniel, Palm Beach Post. March 30, 2008.
"Percussion for Six Men" choreography by Vicente Nebrada
"...Moraga's strong apparently effortless turns..."
Ballet Talk. Feb 2007.
"The Nutcracker" choreography by Marie Hale
"while Fernando Moraga was a balletic whirlwind, especially in his solo variation"
Lawrence Budmen, Sun-Sentinel. Dec 27, 2007.
"The Nutcracker" choreography by Allison Norton
"Fernando Moraga and Mauricio Canete, portraying the Nutcracker and the Mouse King, wowed the audience with their amazing jumping abilities and thrilling sword fight scene."
Treva Bedinghaus, About.com. Dec, 2007.
“Former Pittsburgh Ballet Theatre Soloist Fernando Moraga lent his clean, crisp lines to the movement”
Jane Vranish, Pittsburgh Post-Gazette. Jan 2005.
“A Midsummer Nights Dream” choreography by G. Balanchine.
“...And while the quarreling lovers and especially Fernando Moraga all had their moments and the dancing was pristine...” Jane Vranish, Pittsburgh Post-Gazette.
April 2004.
“Cinderella” choreography by Ben Stevenson.
“...Fernando Moraga was a suitably stuffy Dancing Master...”
Molly Glentzer, Houston Chronicle. March 2003.
“Ghost Dances” choreography by Christopher Bruce.
“...It was sensationally danced and earned a heartfelt standing ovation. Dominic Walsh, Fernando Moraga, Zdenek Konvalina were the awesome Ghost Dancers, flying and fighting to the sound of wind”
Molly Glentzer, Houston Chronicle. May 2003.
“Alice in Wonderland” choreography by Ben Stevenson.
“...Fernando Moraga was a smooth Cheshire Cat...”
Molly Glentzer, Houston Chronicle. Jun. 2003.
“The Nutcracker” choreography by Terrence Orr.
“...Blessed with an air of nobility and a clarity of attack, Mr. Moraga is a welcome addition to the soloist ranks...”
Jane Vranish, Pittsburgh Post-Gazette. Dec. 2003.
“Aqui se Habla Espanol” Hispanics Dancers.
“...And at Houston Ballet, there’s Carlos Acosta (Cuba), and Fernando Moraga (Chile)”
Dance Magazine. 2002.
“Madame Butterfly” choreography by Stanton Welch.
“...Fernando Moraga was entertaining as Yamadori...”
Molly Glentzer, Houston Chronicle. Sept. 2002.
“Five Poems” choreography by Ben Stevenson.
“...Mauricio Canete and Fernando Moraga had a magical and playful duet, much of it in unison, for the second poem...”
Molly Glentzer, Houston Chronicle. March 2001.
“The Snow Maiden” choreography by Ben Stevenson.
“...The high flying athletic trio of Parren Ballard, Fernando Moraga and Mauricio Canete as villagers in act two”
Molly Glentzer, Houston Chronicle. Sept. 2000.
“The Nutcracker" choreography by Ben Stevenson.
“...Sally Rojas, Fernando Moraga and Julie Gumbinner brought mature cleanness to the dance of the Mirlitons”
Molly Glentzer, Houston Chronicle. Dec. 1999.